GO HOME
Visit European Gallery



       Prev  10  11  12  13  14  15  16  17  18  19   Next
 
 
Prev Artist       Next Artist     

Georges Seurat The Grand Jatte of Sunday afternoon oil painting


The Grand Jatte of Sunday afternoon
Painting ID::  35850
Georges Seurat
The Grand Jatte of Sunday afternoon
mk106 1886 340x225cm

   
   
     

Georges Seurat The Grand Jatte of Sunday afternoon oil painting


The Grand Jatte of Sunday afternoon
Painting ID::  35851
Georges Seurat
The Grand Jatte of Sunday afternoon
mk106 1884-1885 15.2x24.7cm

   
   
     

Georges Seurat Impression Figure oil painting


Impression Figure
Painting ID::  35852
Georges Seurat
Impression Figure
mk106 1885 66x82.5cm

   
   
     

Georges Seurat The Sail boat oil painting


The Sail boat
Painting ID::  35853
Georges Seurat
The Sail boat
mk106 1885 65.1x81cm

   
   
     

Georges Seurat Impression Figure oil painting


Impression Figure
Painting ID::  35854
Georges Seurat
Impression Figure
mk106 about 1887 45.7x54.7cm

   
   
     

       Prev  10  11  12  13  14  15  16  17  18  19   Next
Prev Artist       Next Artist     

     Georges Seurat
     French Pointillist Painter, 1859-1891 Georges-Pierre Seurat (2 December 1859 ?C 29 March 1891) was a French painter and draftsman. His large work Sunday Afternoon on the Island of La Grande Jatte, his most famous painting, altered the direction of modern art by initiating Neo-impressionism, and is one of the icons of 19th century painting Seurat took to heart the color theorists' notion of a scientific approach to painting. Seurat believed that a painter could use color to create harmony and emotion in art in the same way that a musician uses counterpoint and variation to create harmony in music. Seurat theorized that the scientific application of color was like any other natural law, and he was driven to prove this conjecture. He thought that the knowledge of perception and optical laws could be used to create a new language of art based on its own set of heuristics and he set out to show this language using lines, color intensity and color schema. Seurat called this language Chromoluminarism. His letter to Maurice Beaubourg in 1890 captures his feelings about the scientific approach to emotion and harmony. He says "Art is Harmony. Harmony is the analogy of the contrary and of similar elements of tone, of color and of line, considered according to their dominance and under the influence of light, in gay, calm or sad combinations". Seurat's theories can be summarized as follows: The emotion of gaiety can be achieved by the domination of luminous hues, by the predominance of warm colors, and by the use of lines directed upward. Calm is achieved through an equivalence/balance of the use of the light and the dark, by the balance of warm and cold colors, and by lines that are horizontal. Sadness is achieved by using dark and cold colors and by lines pointing downwards.

     Related Artists::.
     | Barbara Bodichon | Joanna Mary Boyce | george jones |


IntoFineArt Co,.Ltd.